Both the American Flexibele Kantoorruimte Huren Utrecht the French choreographer began their careers in the s and are considered two of the most influential artists of their generation. In the work of these year-olds, dance history resonates — memories intertwine with imagination. In steal you for a momentMeg Stuart continues her collaboration with Francisco Camacho. The Portuguese performer Flexibele Kantoorruimte Huren Utrecht in her first piece, and in she created the solo BLESSED for him, a work that dealt with the climate crisis. According to the program notes, the starting point for this duet was the Nuragic ruins in Sardinia — mysterious remnants of a vanished culture. However, none of this is visible on stage. Instead, objects made of plywood are scattered across the Radialsystem stage. What unfolds is a continual process of reconfiguration: the artifacts are shifted and rearranged. His body takes on the appearance of a fragile construct, and soon enough, the precarious little tower collapses. Amidst scenes of quiet humor, there are also tender moments. Despite the theme of impermanence, the dancers find solace in their friendship. Stuart and Camacho work together seamlessly. His angular movements give him the appearance of a comic book character at times, while her silver mane and melancholy air evoke the image of a sorrowful clown. When Camacho offers her a miniature pyramid as though it were a precious gift, she gazes at him, bewildered. The two play with their little forms like children in a sandbox, waving papyrus reeds, communicating in a secret sign language, and navigating through emotional landscapes. They are outstanding performers, but by the end, the duet loses its focus and veers into overly personal territory. The choreographers and dancers Meg Stuart and Francisco Camacho lose themselves performatively in their friendship in steal you for a moment. Inspiration is fleeting - it can be found everywhere, but its traces are lost. Choreographers and dancers Meg Stuart and Francisco Camacho sought inspiration for their creation steal you for a moment in Sardinia. The stone towers of the Bronze Age Nuragic culture reign there, mighty statues guarding gigantic tombs, with design elements such as spiral shapes. A pendulum hangs from the ceiling, sand is piled up and grasses are stuck to the back wall like a scrapbook. In this scenario, Stuart and Camacho — who met 35 years ago in New York, have been friends ever since and have worked together time and again — unearth emotional artifacts as if they were archaeological treasures. What is the artistic result of a friendship? How can we effectively present our private relationship on stage for others? There are no clear answers, steal you for a moment remains closed to us. At first, the US-American, who has lived in Berlin for 20 years, and the Portuguese, who runs a production house in Lisbon, perform without touching Flexibele Kantoorruimte Huren Utrecht sitting stiffly next to each other, toppling over like mannequins. Later, there is a comic duet of gestures and vocalizations, and Meg Stuart, who is a great comedian, scolds Camacho, who kindly hands her a pyramid as a gift. She excels at unexpected, surprising movements — as she carries in her body the result of decades of improvisation and exchange with other artists. Her movements are soft, not quite as elastic as they used to be, but lightning fast. When Camacho brings her a pile of sand, she looks stern, then suddenly turns one of the hollow forms around, transforming it from a sculpture to a sand mold. He is always on stage himself, building landscapes out of wooden figurines or projecting a laser grid Flexibele Kantoorruimte Huren Utrecht the action, which creates a maze of green lines that slowly tilts to one side. At some point, Meg Stuart briefly makes contact with the audience, not all of whom stay until the end. You can tell from the laughter how grateful everyone is for this moment that breaks through the devout contemplation of art. In the end, when Stuart and Camacho lie on their backs and send an intimate dialogue into the room - I was in love with you when we first met, she says; this is how friendship can begin, he replies - the audience is once again left out. They can compare their own ideas of intimacy and mutual success with a performance in which two exceptional artists have remained completely wrapped up in themselves and away from us. This might be because so little is known about the prehistoric culture of the Mediterranean—today, we mostly know about the Nuragic tower structures built around BC on Sardinia, though their exact function remains a mystery.
Raum-in-Raum Systeme
Damaged Goods / Meg Stuart - Over Raum-in-Raum Systeme - SKEPPTo the left there are two big, inflatable hills, draped with vinyl cloths, printed with a kitschy purple-and-blue night sky. One of them is "I'll remember April". Een van de grootste misverstanden rond de dramaturg is de idee dat hun rol er vooral in bestaat om theorie en kennis binnen te brengen in een creatieproces. Dougherty is de dirigent van het hele gebeuren: hij stuurt het ritme aan. Waarom claimen ze dat ze het juiste perspectief bieden? Europe suffers from drought.
Powerpark in Avantis European Business Park
Or they bounce off an inflated landscape of stars in slow motion — in "CASCADE" everything seems to be in quest of the present. Bel naar What unfolds is a continual process of reconfiguration: the artifacts are shifted and rearranged. First of all, though, the American choreographer Meg Stuart who lives in Berlin and Brussels, teamed up with The Field, a new Zurich-based company. Maar ze gaan het doen, dus kunnen wij minstens proberen dat het iets wordt. Je moet tevens kunnen omgaan met intense momenten van samenwerking die tot niets leiden symbolic waste. But their bodies have more resistance; they are bodies that defy the conventions of dance, even in their appearance and the quality of their movements. Their movements are often interrupted even before they can be realized. The other is Talib's biography. Dat blijkt trouwens genoeg om de meest diverse literaire tropen uit te proberen: het lange citaat, de brief aan bevriende kunstenaars, dagboeknotities, essays en een fragment van een theatertekst. Schau dir gerne unsere Blog-Beiträge über Raum-in-Raum-Systeme an, welche näher auf das Thema eingehen. Geen idee. When Stuart knocks over one of the pyramids, she first offers a quick "Sorry," but soon the pair gleefully stomp through their sand constructions. Link Original article in German. But within this stimulus satiation, it manages to keep its urgency concerning the current situation of the world, talking about misuse of power, war, scarcity of resources, and climate catastrophes. Stuart asks Camacho if he knew she was infatuated with him back in the 90s, and he responds that perhaps sexual attraction is just one step on the path to friendship. Meg Stuart's latest production "CASCADE" was also supposed to premiere a year ago. Naast verschillende workshops voor kinderen, zijn bezoekers in de gelegenheid zelf in een van de velen elektrische voertuigen te rijden. It's been long. This image is complemented by a steep ramp, which presents possibilities of ascent and descent. Onze zoektocht naar een nieuwe plek is anderhalf jaar geleden begonnen. However, when the narrated world itself is anachronistic, this is a typical aspect of sci-fi, which can express itself, for example, in the form of loops or time holes. Clock , a video of Berlin-based choreographer Meg Stuart and her dance company moving beautifully on the iconic curved roof of HKW speaks to the difficulties of pursuing dance and performance practices during a pandemic. Veel woorden besteedt hij er niet aan, maar Peeters geeft een paar keer aan dat doing dramaturgy regelmatig neerkomt op je vervelen: er lijkt niets te gebeuren in de studio. They begin to move on the floor, first like dolphins, then they kick while they are prone. Die innenliegenden Oberflächen und Polsterungen werden in verschiedenen Farben angeboten, sodass das Raum-in-Raum-System sich dem Stil der gesamten Arbeitsumgebung anpassen kann. Then suddenly everything stops. Tijdens de lange wintermaanden knippen ze samen duizenden blaadjes uit stof, voor Barry's boomsculpturen.
