Both the American and the French choreographer began their careers in the s and are considered two of the most influential artists of their generation. In the work of these year-olds, dance history resonates — memories intertwine with imagination. In steal you for a momentMeg Stuart continues her collaboration with Francisco Camacho. The Portuguese performer danced in her first piece, and in she created the solo BLESSED for him, a work that dealt with the climate crisis. According to the program notes, the starting point for this duet was the Nuragic ruins in Sardinia — mysterious remnants of a vanished culture. However, none of this is visible on stage. Instead, objects made of plywood are scattered across the Radialsystem stage. What unfolds is a continual process of reconfiguration: the artifacts are shifted and rearranged. His body takes on the appearance of a fragile construct, and soon enough, the precarious little tower collapses. Amidst scenes of quiet humor, there are also tender moments. Despite the theme of impermanence, the dancers find solace in their friendship. Stuart and Camacho work together seamlessly. His angular movements give him the appearance of a comic book character at times, while her silver mane and melancholy air evoke the image of a sorrowful clown. When Camacho offers her a miniature pyramid as though it were a precious gift, she gazes at him, bewildered. The two play with their little forms like children in a sandbox, waving papyrus reeds, communicating in a secret sign language, and navigating through emotional landscapes. They are outstanding performers, but by the end, the duet loses its focus and veers into overly personal territory. The choreographers and dancers Meg Stuart and Francisco Camacho lose themselves performatively in their friendship in steal you for a moment. Inspiration is fleeting - it can be found everywhere, but its traces are lost. Choreographers and dancers Meg Stuart and Francisco Camacho sought inspiration for their creation steal you for a moment in Sardinia. The stone towers of the Bronze Age Nuragic culture reign there, mighty statues guarding gigantic tombs, with design elements such as spiral shapes. A pendulum hangs from the ceiling, sand is piled up and grasses are stuck to the back wall like a scrapbook. In this scenario, Stuart and Camacho — who met 35 years ago in New York, have been friends ever since and have worked together time and again — unearth emotional artifacts as if they were archaeological treasures. What is the artistic result of a friendship? How can we effectively present our private relationship on stage for others? There are no clear answers, steal you for a moment remains closed to us. At first, the US-American, who has lived in Berlin for 20 years, and the Portuguese, who runs a production house in Lisbon, perform without touching — sitting stiffly next to each other, toppling over like mannequins. Later, there is a comic duet of gestures and vocalizations, and Meg Stuart, who is a great comedian, scolds Camacho, who kindly hands her a pyramid as a gift. She excels at unexpected, surprising movements — as she carries in her body the result of decades of improvisation and exchange with other artists. Her movements are soft, not quite as elastic as they used to be, but lightning fast. When Camacho brings her a pile of sand, she looks stern, then suddenly turns one of the hollow forms around, transforming it from a sculpture to a sand mold. He is always on stage himself, building landscapes out of wooden figurines or projecting a laser grid across the action, which creates a maze of green lines that slowly tilts to one side. At some point, Meg Stuart briefly makes contact with the audience, not all of whom stay until the end. You can tell from the laughter how grateful everyone is for this moment that breaks through the devout contemplation of art. In the Zaal Huren Voor Verjaardag Feest Amsterdam, when Stuart and Camacho lie on their backs and send an intimate dialogue into the room - I was in love with you when Zaal Huren Voor Verjaardag Feest Amsterdam first met, she says; this is how friendship can begin, he replies - the audience is once again left out. They can compare their own ideas of intimacy and mutual success with a performance in which two exceptional artists have remained completely wrapped up in themselves and away from us. This might be because so little is known about the prehistoric culture of the Mediterranean—today, we mostly know about the Nuragic tower structures built around BC on Sardinia, though their exact function remains a mystery. In this way, the reference makes sense: it is only through architectural remnants that we can glean anything about that ancient culture. Vanishing lines are drawn on the floor and walls, a pendulum swings from the ceiling, and mounds of sand give rise to small pyramids shaped using wooden templates. The choreographers offer no explanations, instead maintaining a deliberate restraint. They step onto the stage quietly, without fanfare, moving slowly into the space, whimpering, slurring their speech. Gradually, recognizable movement patterns emerge: the swinging of arms echoes the motion of the pendulum, an outstretched leg aligns with the vanishing lines on the wall.
Doorgaans is er dan stilzwijgend al heel wat beslist over het budget of de logistieke randvoorwaarden. Verschillende keren komt het stuk tot een nulpunt en wordt het dan weer opgedreven tot extase. Andere plekken doen dat beter. Er is geen OCR tekst voor deze krant. Together, they started their careers. When the lights come back on, the music is more emotional.
Navigation Menu
Er was geen ruimte om na het rijden wat te drinken. op mijn verjaardag, ging het officieel open. De manege was in die tijd alleen bedoeld om paard te rijden. Ik was inder- daad nog jong, maar had al veel werkervaring opgedaan in Hotel Eindhoven waar ik. geleverd. Dan hebben wij de perfecte oplossing voor u! Wij bieden de verhuur van de Electro-Voice EKX 12P actieve speakerset met de. Alles wordt met kabels etc. evenement, feest of presentatie? Verjaardag, Verjaardagsfeest, Buurtfeest, Straatfeest, Communie, Speakers huren zaal of Café met +/man aan. Er waren twee stallen voor 17 en 12 paarden.You want to join in. The unconventional idea of placing scenography at the centre of the creative process has made Jozef Wouters and his art organisation Decoratelier highly regarded in the Belgian independent scene. De Kempische arbeider: orgaan van den Werkmansbond van Lommel en omstreken. Als dat niet lukt, dan zoeken we elders vrijheid. Die technische Speicherung oder der Zugriff ist notwendig, um Nutzerprofile für die Zusendung von Werbung zu erstellen oder um den Nutzer auf einer Website oder über verschiedene Websites hinweg für ähnliche Marketingzwecke zu verfolgen. DFK : It was an evening with light art and live music. Double bassist Doug Weiss also comes from the New York jazz scene, where he made a name for himself working with jazz legends such as Al Foster, Pete Seeger and Toshiko Akiyoshi. Deshalb ist es immer ein Vergnügen, wenn wir Bilder erhalten, um sie in ihrer ganzen Pracht mit Luftballons, Blumen und allen Lichteffekten um sie herum zu sehen. Samen met een groep bouwers, muzikanten, performers en dichters bouwen ze aan een wereld tussen nacht en dag, tijdelijkheid en toekomst, zichtbaarheid en onzichtbaarheid. Yes, all eyes on her. The cycle is perpetually reinventing itself. Zeiträume Behind them, a horizon displays the galactic nebulae in which stars are formed. Zij kregen een vergunning om alcohol te schenken. My impression was that music, sound, and dance energise each other, sometimes also subtly support each other. This time the climax is an orgiastic scene: one of the dancers appears naked, the woman who was speaking takes off her top, two of the dancers move their pelvis convulsively. De lichten flikkeren. Te Gent. I appreciate that there is never too much of this, that the quality of their playing does not suffer from having to go too far outside their comfort zones, as can often be the case with such experiments. When Camacho offers her a miniature pyramid as though it were a precious gift, she gazes at him, bewildered. With this work, can Meg Stuart maintain her reputation as a visually powerful, unconventional choreographer? How do the two work together today? Dat komt, denk ik, doordat Wouters paradoxen en tegenspraken niet schuwt, of zelfs bewust najaagt, alsof hij doordrongen is van de overtuiging dat elke gedachte in een denkproces, of elke beslissing in een ontwerp, ook zijn tegendeel kan oproepen of verbergt, en dat er so wie so heel wat is wat aan ons bevattingsvermogen ontsnapt. Elisabeth Nehring : I would rather say that it was a Meg Stuart essence, the essence of how she has worked with her body in her art over many decades, and which highly peculiar movements she got out of her body. Die verhalen en klanken vormen het weefsel waaruit A Day is a Hundred Years ontstaat. Plots duikt er iemand uit de coulissen. Or now? Jezelf isoleren is niet de juiste manier om te werken vandaag. Amidst scenes of quiet humor, there are also tender moments. During the second movement, a comic and very kitsch scene takes place.
